Page A4 The Joan De Arc Crusader / Tuesday, December 25, 2001
Front Page
A1 / Editorials, Chuck's Corner A2 /
Entertainment,
Sports A3 / Christmas
Section A5
The Court of Birds at the west end of the mall, circa 1967
The glory days of Chris-Town Mall
by J. Bueker
The Phoenix area of the 1960s was a vastly smaller and more intimate
community than the sprawling and ungainly megalopolis that now overruns the
Valley of the Sun. People maintained a much slower pace in their lives, and the
opportunities for pursuing the finer things in life were much fewer and further
between, and thus taken all the less for granted. Major shopping venues were
relatively scarce, and they typically lacked the necessary atmosphere and
diverse selection of retailers that can lead to long term viability and
popularity. Malls such as Tower Plaza, Thomas Mall and the relatively high brow
Park Central prospered to varying degrees at this time, and yet they were simply
no match for the pre-eminent shopping experience of '60s Phoenix: Chris-Town
mall. Opened in 1961, Chris-Town was the first self enclosed, air-conditioned
mall in Arizona, and it offered a superb selection of anchors and smaller
shops, a most elegant design and layout, and an absolutely unique character and
charm that was conspicuously lacking in the other local malls of the day.
Named for Chris Harri, a Swiss born farmer who originally owned the land
upon which it stands, the mall was constructed at the relatively remote location
of 19th Avenue and Bethany Home Road, which at the time was practically the
outskirts of town. Chris-Town soon proved to be an eminently accessible facility
and one of the most popular places in Phoenix at which to shop and be seen.
Chris-Town in the '60s boasted a line-up of heavy hitters such as Korricks,
Montgomery Ward, J.C. Penney, Woolworth, Walgreens and S. S. Kresge as well as
smaller boutiques like Hunter's Books, Chess King, Godber's Gifts, Bill's
Records, Kerr Sporting Goods, Gallen Kamp, Switzer's, Hanny's and Bob Fox.
Arizona Public Service even sponsored a "Gas Appliance Showcase" in the mall at
this time, promoting the virtues of gas as an alternative household energy
resource. Some shops came and went, but the overall structure of Chris-Town
remained remarkably stable well into the '70s.
The center of the mall was christened the Court of Fountains, an attractive
and popular meeting place for shoppers to rendezvous in front of Penneys, graced
by sightly fountains usually full of coins. At the east end of Chris-Town lay
the entrance to the ever popular underground tavern known as the Janitor's
Closet, as well as an eclectic collection of food vendors such as Orange Julius
and Pizza D'Amore. This end of the mall in front of Korricks (later the
Broadway), also boasted a beautiful collection of flowers and a papier mache
statue of Ferdinand the Bull, and was known as the Court of Flowers. The west
end of Chris-Town just outside the entrance to Wards featured a unique
collection of aviary structures and bridge, and was thus named the Court of
Birds. This charming little bailiwick offered a remarkable array of winged
creatures in colorful cages, some of whom would actually speak to the delight of
passing shoppers. The combination of such elegance and variety made Chris-Town
Mall absolutely unique and endlessly inviting. So much so that a series of Joan
De Arc residents have chosen to work at the mall over the years, for instance
Barbie Bueker and Jean Humphries, to name but two.
An array of nearby businesses completed the charming character of
Chris-Town. Across Bethany Home to the north stood the Chris-Town Car Wash, with
its distinctive car-on-a-clothespin sign. To the south, El Rancho market
provided a fine selection of groceries and sundries, and to the northeast could
be found a truly excellent Piccadilly cafeteria with some lovely indoor
fountains of its own. The Chris-Town Theaters were just to the west of the mall
(and still are), the scene of feature film presentations and legendary stage
shows by Wallace and Ladmo. Chris-Town in the 60s was simply a sublime realm, a
shopping and entertainment utopia in an age just prior to the advent of the
soulless mega-malls. Would that this slice of Phoenix could have been frozen in
time and preserved for generations to come. Pity.
Unfortunately, the years since Chris-Town's peak in the '60s and '70s have
been less than kind. After an ambitious and extensive expansion project that
nearly doubled the size of the mall in the mid 70s, the inevitable signs of age
and wear began to set in, and the '90s witnessed the beginnings of a sad exodus
of the major mall anchors. The Broadway closed in 1994, followed by J.C. Penney
a few years later, and finally Montgomery Ward passed into history last year.
Competition from other west side malls such as Metrocenter has been instrumental
in the decline of Chris-Town, as well as a general decline in the overall
socio-economic vitality of the area. Lower end retailers Wal-Mart and Costco
have replaced the once proud Broadway and Penneys, while Wards currently sits
dark and silent. A rather garish paint job of yellowish gold was recently
applied to the front of the mall in an attempt to liven up the place, and an
extensive remodeling effort has renewed the interior of the mall to a
significant degree. Sadly, Grossman Co. Properties, the owner of Chris-Town, has
even renamed the place "Phoenix Spectrum Mall" as part of the $10 million
overhaul. An era of Phoenix shopping history thus comes to a close.
Still, with its glory days clearly well behind it, Chris-Town Mall yet
remains a fairly popular place to shop. The parking lot and stores have been
absolutely packed in the days leading up to Christmas, and the merchants kept
generally very busy. Though now a shadow of its former self, Chris-Town
nevertheless retains a certain majesty, and it has long since provided a
lifetime of splendid memories for those of us privileged enough to have known it
in its very prime of life.
To view a special Chris-Town photo retrospective, click on this link: Chris-Town Retrospective
'60s Drink Wars:
Kool-Aid vs. Funny Face
by J. Beaver
General Mills' Kool-Aid instant soft drink dynasty has dominated the
powdered beverage market for over a half century now, defeating all comers in
what was once an relatively competitive industry. 1965 saw the emergence of the
greatest threat ever to the Kool-Aid empire, a product that actually gave
Kool-Aid a significant run for its money until well into the 1970s. This would
be none other than Pillsbury's "Funny Face" fruit drink mixes.
Featuring such distinctively fun characters as Freckle Face Strawberry,
Goofy Grape, Jolly Olly Orange, Choo Choo Cherry and Lefty Lemon, the Funny Face
drinks never did much better than about one fifth of Kool-Aid's overall market
share. Yet they were extremely popular, and have actually made something of a
nostalgic retro comeback in recent years.
The idea of creating a fun character for each flavor was a novel concept at
the time, and the original line-up included such politically incorrect flavors
as "Chinese Cherry" and "Injun Orange," both of which inspired a sizable outcry
from the ethnic groups in question and were promptly withdrawn and replaced by
their later, less objectionable characters. Pillsbury correctly deduced that
oranges and trains are much less likely to be offended by such caricatures than
are Native Americans or Asians. Incidentally, those two offensive Funny Face
packages are now, predictably enough, extremely valuable and rare collectors
items. An original packet of Injun Orange in mint condition sold on eBay last
year for over $650.00, or 6500 times the original retail price for the product.
Of course, some flavors were more popular than others, with Lefty Lemon
typically being the absolute last resort of thirsty children seeking
refreshment. In fact, packages of poor Lefty were known to reside in kitchen
cupboards for years at a time, before finally being used in an act of sheer
desperation. By 1974 there were eight characters, with "Loud Mouth Punch" and
"With It Watermelon" joining the gang. "With It Watermelon" was a nod to the
hippie generation, with his pair of cool sunglasses and an attitude that was
exceptionally hip for a personified package of pre-sweetened soft drink mix.
For years, kids would get into spirited arguments regarding the respective
virtues of their chosen favorite drink mix, Kool-Aid or Funny Face. Ironically,
of course, the differences between the two were minimal except in terms of the
packaging and advertising strategies. In addition to the fun characters, a
major selling point of the Funny Face mixes was the the fact that they were
"pre-sweetened" by the now banned substance known as cyclamate. Mom was thus
able to reduce the kids' consumption of sugar by opting instead for their
exposure to a potential carcinogen. All in all, it tasted pretty good though!
For its part, General Mills responded to the Funny Face challenge by steeply
increasing the advertising and promotions for their Kool-Aid brand, which
remains extremely popular to this day. Such advertising innovations as the
walking Kool-Aid Man are directly attributable to the temporary success of the
Funny Face brand. No company has ever again stepped forward to seriously
challenge the pre-eminence of Kool-Aid.
With the banning of cyclamates in 1969, sales of Funny Face started to
decline and continued to drop throughout the seventies, until Funny Face drink
mixes were finally removed completely from the market in 1980. Pillsbury sold
the rights to the Funny Face characters to Brady Enterprises, a small east coast
company that now sells Funny Face in the Northeast, having replaced the previous
saccharine sweetening with Nutra-Sweet.
The Funny Face Friends Club may be contacted at P.O. Box 84, East Weymouth,
MA 02189.
______________________________________________________________________________________________________________JDA
Front Page A1 / Editorials, Chuck's Corner A2 / Entertainment, Sports A3 / Christmas Section A5